Das Kora-Spiel hat sein Leben komplett verändert

Das Kora-Spiel hat sein Leben komplett verändert

Tor­men­ta Jobar­teh, the Ger­man gri­ot. When Wer­ner Sturm tra­vel­led from Munich, Ger­ma­ny to The Gam­bia in 1987, it was not to savour the sun by the beach or to visit tou­ris­ty places,camera car­ry­ing and enjoy­ing the scram­ble for mints by kids. It was rather “to ans­wer to a divi­ne call to learn the tra­di­ti­on of the gri­ot,” as he put it. So, he quick­ly­mo­ved to Bura­ba vil­la­ge whe­re, for the next five years, he under­went tutela­ge under a renow­ned kora mas­ter, adop­ting a typi­cal rural life­style devo­id of the “grea­ter than you” pos­tu­re of some “toubabs” in this part of the world. “We play­ed kora at cere­mo­nies in the pro­vin­ces and i lived squa­re­ly by my share of the pro­ceeds,” he remi­nis­cen­sed last week at the Calyp­so Beach Bar, Cape Point. He was ama­zed at the way he was accept­ed and given a deep sen­se of belon­ging by the vil­la­gers. Which was why he did not hesi­ta­te to chan­ge his name to Tor­men­ta Jobar­teh. Upon his adop­ti­on as a gri­ot, he tra­vel­led back to Munich whe­re he had lear­nt to play drums and per­cus­sion and car­ri­ed on with the “tra­di­ti­on of music and sto­ry tel­ling based on love, tole­rance and respect of natu­re,” accor­ding to a cita­ti­on on him.

Begeisterung …

Begeisterung …

… wir begeis­tern uns an einer stim­mi­gen Mischung tra­di­tio­nel­ler west­afri­ka­ni­scher und kari­bi­scher Musi­ken, ver­knüpft auf´s Feins­te mit Ele­men­ten aus Pop und Jazz. Die ist far­ben­froh, fröh­lich, varia­bel gren­zen­los tanz­bar, vol­ler Swing und Rhyth­mus, dabei stets fes­selnd …

Erste Auftritte — erste Lorbeeren

Erste Auftritte — erste Lorbeeren

Jobar­teh und Dio­ba­té sind zwei Schreib­wei­sen eines Namens, den man sich mer­ken soll­te, denn er gehört einer der ange­se­hens­ten Gri­ot-Fami­li­en West­afri­kas und die bringt wun­der­schö­ne Musik hervor. 

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